Tag: comic book

Iron Man

Reviews

12 out of 13 nots
for fantastic heavy metal, both suit and soundtrack

This is how you do a comic book super hero movie.  The guys who made the Fantastic Four should be forced to watch this and maybe they’ll understand why their movie was crap.  Normally when a character from comics is brought to the screen, the first thing they want to do is tell you the origin of the character.  However, most writers/directors don’t seem to quite understand that you don’t have to start at the beginning and tell a linear story.  The audience, quite contrary to popular belief, is not stupid.  They may gravitate to more visceral experiences of things blowing up than the more cerebral dramas, but just because they enjoy simply uncomplicated pleasures it does not make them mentally deficient.  The Fantastic Four and Hulk movies dragged because rather than jump into a very interesting story and fill you in on the origin as they went, they decided to start at the beginning, which has little action and is a snooze-fest.  Daredevil, while suffering from other problems (mostly, in my opinion, a miscasting of Bullseye and Kingpin), at least the pace of the film works well.  With Iron Man they did decide to tell you the origin, but at least they were smart enough to weave the story of the film in with the origin such that they are not explicitly telling you the origin of Iron Man but instead telling you a story about Tony Stark during which Iron Man comes into being.  It is a subtle yet very important distinction.

Anyway, I’m not going to go into details of the film because it was awesome and I don’t want to spoil it for anyone.  However, I do want to touch on the soundtrack, mainly because it too was awesome.  The use of rock music in the film was superb, and the song choices were excellent.  I was surprised pleasantly throughout the film as songs popped up and properly set the mood for the scenes, and even more surprised that they actually held off using Black Sabbath’s Iron Man until the end credits, because, frankly, using it anywhere else in the film would be like hitting you over the head with a hammer.

Fans of Iron Man should be pleased with the film as they did sprinkle enough “nerd knowledge” throughout to make the comic book geek in me smile without drowning me in comic references.

Fun, fast and fantastic, Iron Man gets a well deserved 12 out of 13 here… I’d have given in 13, but I do try to hold off perfect scores for stuff that is truly life alteringly spectacular.

The Walking Dead

Reviews

For Christmas, I was given a book that I asked for, The Walking Dead. Its a comic book about people trying to survive in a world of zombies. Yesterday, on a drive to North Carolina with my wife, my brother and his girlfriend to visit his girlfriend’s family, I re-read book one, and read books two, three and four.

The Walking Dead is, quite simply, the best zombie stories I have ever read. A while back I posted about Brian Keene’s books, and those were very impressive for horror books, but The Walking Dead, which is a comic book series and not novels, deals more with the people than the zombies. They aren’t zombie stories, they are people stories where the setting happens to be a world full of zombie like you might set a drama with a backdrop of World War II or the Depression Era US.

I recommend these books, and Amazon has a very reasonable deal for buying all 4 collections for $33 right now. The rest of this review is going to contain some spoilers, a little plot revelation, so avoid it if you want the books to remain secret until you page through them. Read more

Crisis on Infinite Earths

Reviews

It has been a very long time since I read through the 1985 DC Comics event, but last year Marv Wolfman decided to write a novelization of the comic. Crisis on Infinite Earths tells the same tale of the original comic, only this time largely from the point of view of Barry Allen, The Flash.

If you’ve read the original, or if you read the first chapter of this book, you know from the get-go that Barry Allen dies. If you have followed The Flash comics since the original Crisis series, you also know that Barry didn’t really die so much as join the Speed Force (well, first he skipped off into the future, had a couple kids with his wife, Iris, and then permanently joined with the Speed Force, but that’s not really important right now). So from the first pages you know Barry is dead, but somehow and for some reason, the Monitor and the Speed Force are keeping him around in some sort of super accellerated ghost state. Appearantly he has something important to do.

The story is fairly confusing as it leaps from Earth to Earth and through time all over the place telling you things out of order and upside-down. But the snippets are still interesting, and the end of the book ties everything together nicely, adding a new dimension to the old comic book without destroying it.

If you liked the original Crisis, then I recommend this book.

However, I do have one complaint. The original series was published in 1985. This book was published in 2005. Twenty years. Alot has changed in those twenty years, and Marv lets slip in a number of current and recent pop culture references that simply didn’t exist then. Then again, comics have always been a very weird art form since their characters tend not to age while their world usually stays fairly up to date with the times, so I can overlook it a bit but I strongly feel that every one of those references could have been removed form the book and it would have worked just fine. It didn’t need pop culture. Still, it was a good read.

Nobody Gets the Girl

Reviews

So lately I have been reading alot of books, largely superhero books from Marvel and DC, but whenever I can find one I prefer those that did not start as a comic book. Nobody Gets the Girl is one of those books.

The story is simple: Richard Rogers wakes up one morning to find out that he was never born, but somehow he’s still around, and no one can see him or hear him… except Dr. Knowbakov and his daughters, who go by the names Rail Blade and The Thrill. And just like that, he is sorta a superhero trying to save the world from itself and Rex Monday.

This was a good, fun, fast read. It really read like a comic book, only without the art to linger over the pages just flew by. One word: Awesome. I highly recommend the book.

Books!

Reviews

Normally my Reviews articles are for movies or TV, but I decided today to hit a different frontier… Books.

I read alot of books, not as many as I would like, but alot none the less. And as you may notice from this site (and my subdomains), I also like to write. When I started playing City of Heroes, I got a jonesing for some spandex fiction. Sadly though, there only appears to be two kinds you can pick up at the local books store: Wild Cards by George R. R. Martin and books based on existing comic book characters.

Now, don’t get me wrong… the Martin edited shared world of Wild Cards is probably one of my favorite series of books, but I had read them before… twice… and was looking for something new. I wanted to avoid the books based on existing comic characters because a few of the ones I thumbed through relied too much on prior character knowledge, basically you needed to be a fan of the comic in order to enjoy the book. I asked around for books in a superhero setting that were neither Wild Cards nor existing comics… but all the recommendations I got we more Sci-Fi or Fantasy… lacking that element of the superhero, the comic book, that makes it unique. So finally, after coming to the conclusion that either none had been written or that none had been published, I caved in and bought some books from existing comic book heroes.

And I was pleasantly surprised with what I found.

There is a series of books, four of them so far, for the Justice League of America. One book is about the JLA as a whole fighting the good fight, and the other three (of which I’ve only read one so far) take a single member off on his own, with the occasional backup of the JLA. The first book I read was the JLA book, The Exterminators. And when I got into it, I was very happy to see the author not rely on prior knowledge. He explained as he went the relative parts of each character’s background as it was touched on. His book read like a comic without pictures… well, in my head there were plenty of pictures. The book was very well done, all-in-all a two thumbs up review. The second I read was for the Flash, called Stop Motion. Like the other, this author too didn’t trust you to just know the character, but he also didn’t bog you down with 50 years of history in the lives of speedsters of the DC Universe. He told what he needed, that’s it. The story was tight, and exciting… but it did leave me wanting in the end. The finale was just a bit sub par… it was a mystery, and as sometimes happens, the resolution of the mystery, figuring out who done it and why, was much more satisfying than the final conflict between hero and villain. It was like pushing a boulder up hill, excited the whole way up to the top, not knowing what was on the other side, getting to the top, seeing the other side, heart pounding, pushing the rock over the edge… only to see it roll about ten feet and stop because the hill on that side levelled off. It was like a rollercoaster that took you up a huge climb only to have a pitiful drop off the other side. I enjoyed the book, but just was a little less than fulfilled with the resolution once the mystery was unfolded.

There are two more books in the series so far, Batman and Wonder Woman, with a fifth, the Green Lantern, coming soon. I look forward to them.

When I picked up the JLA books, I also decided to grab the two Hellboy books by Christopher Golden, the Lost Army and the Bones of Giants. The Lost Army was a good solid read, and felt like Mike Mignola (creator of Hellboy) had done much of the writing himself. The sense of humor, the oddity of the situations, Christopher captured the essense of the Hellboy comics perfectly in his prose. And like the JLA books, he didn’t rely on the reader knowing Hellboy, not that Hellboy readers really know everything anyway. He would just hint at the past, and give you tastes of the world Hellboy belonged in that existed outside the scope of the story. Right now I’m about halfway through The Bones of Giants… and wow. It’s better than the first book. Christopher’s writing style and familiarity with the mythos now shines with a much deeper and provacative tale. I can’t wait to see how it end.

Anyway, that’s it for now… I’m glad I was wrong about at least some of these comic book novels. I hope more are on the way.