Deja Vu All Over Again

I believe in the past I have made it pretty clear that I do not really like most recruiters. And my opinions really have not changed.

Recently, though, one organization could not be bothered to employ the simplest of tools. See, within the course of three weeks I received fourteen phone calls from eight different recruiters out of the same company. Each and every call began the same, “Hi Jason, I’m [insert name here] with [company name] and I found your resume on Monster.com and I think I have a job that you might be a perfect fit for…”

My problems with that are many.

I have been working with this company for over eight months. They have my resume on file, or at least they claimed it would be kept on file. My name has not changed, nor have my phone number or email address. They should have a record of me in their contact database, which should be searchable, and the conversation should have started, “Hi Jason, this is [insert name here] with [company name] and I have this opportunity come available and when I searched our resume database I came up with your and wanted to see if you are still in the market…” Even if it isn’t true, even if they actually did find my resume on Monster because they don’t keep resumes on file, they should maintain consistency.

If the “Most recent contact” is within the last few days, they should say, “I know you recently talked to [insert coworker here] but I came across another opportunity that might be a good match for you…” If they themselves have talked to me before, they should say something like, “Hey, how have you been? Its been [insert time span here] since we last talked…” Maybe even say, “I’m sorry that last interview we sent you on at [insert client here] did not work out, but I think I’ve got something you’d be great for…”

All of this could be solved by using one of the many products available for contact management, like ACT! or Goldmine, Lotus Organizer. I think even Outlook overs Business contact management that will sync with other Outlook clients… or just put it all on an Exchange Server in a shared contact list. Given the job, I could probably even write them a simple contact manager in less than a week.

Either they don’t have a contact managing software, or they have too many recruiters who don’t use it. Which ever it is, it doesn’t matter to me anymore. Eight months and one interview. The results weren’t worth putting up with the annoyance.

The Monster is Loose

There is just something I like about Meat Loaf. Not the food… can’t stand the stuff usually, but the singer. This past week saw the release of Bat Out of Hell III: The Monster is Loose. And it is good.

Although… it is weak in places. Meat Loaf has always had a sort of semi-operatic tone to his voice, good for belting out ballads. Jim Steinman has always been great at writing songs that are touching, funny and moderately nasty all at once. The combination of the two of them have produced some fairly awesome songs like Paradise by the Dashboard Light, Two Out of Three Ain’t Bad, I Would Do Anything For Love (But I Won’t Do That), and more. And in some respects this album delivers. Steinman originally wrote It’s All Coming Back To Me Now for Meat Loaf, but Meat didn’t record it for Bat Out of Hell II, so he sold it to Celine Dion (and here I went 8 years without mentioning her on my website, damn)… Meat Loaf takes the song back, and the lyrics just fit him so much better than they did her. All of Steinman’s songs on the album are strong and as good as they ever were.

But, Jim had a heart attack and a couple of strokes that sidelined him for a while, and Meat Loaf, rather than wait, decided to push on with another writer… Desmond Child. Now, Desmond has produced lots of people and worked with tons of bands… but there is something here that, for me, just doesn’t work. The songs that Desmond worked on instead of Jim feel more generic, like they aren’t tailor made for Meat Loaf to record. They don’t have that… that special something that the Meat Loaf/Steinman collaborations have. And its a shame, the songs aren’t bad they just don’t pop, they don’t spark like the rest.

All in all though, Meat Loaf lays down another solid album, and its worth the money. A fine 3rd part for this trilogy. And I think I’m pretty safe calling it a trilogy, because the first one was 1977, the second was 1993 (16 years), and now 2006 (13 years)… if there is a fourth chapter, when Meat Loaf and Jim Steinman finish fighting and get back to working together, we can expect it right around 2021 when Meat Loaf will be 74. I’m not going to hold my breath.

Snakes on a Plane

Where do I begin?

When I first heard of this movie, I was excited because I love monster movies. A true monster movie is one where something, not human, shows up to kill people and the people try to kill it. No trying to save it or understand it, just survival. I also liked the concept, that airport security has become so tight that a man who wanted someone dead would have no viable way to sneak a weapon on board, so instead puts a giant crate of venomous snakes in the cargo hold timed to be released at a certain point during the flight.

And then you have Samuel L. Jackson, a man who excells at doing action flicks. By far, my favorite performance of his is in Deep Blue Sea. If you haven’t seen that, go see it. In fact, see it first, because his role in that actually makes one scene of SoaP (the stupidest shortening of a movie name in history, by the way) funny when it is not really supposed to be.

So… what went wrong?

First, there was the Hype. Originally the hype did nothing but make this movie better. The rating went from PG-13 to R, ensuring a bloodier and scarier movie. And it kept the name. At one point, as I’m sure you heard, there was a plan to rename the movie to “Flight 121” or something like that, but Sam Jackson actually threatened to quit, so it stayed “Snakes on a Plane”. But then the hype went too far… t-shirts, blogs, everything… just too much. The hype blew its wad too soon, and left its date unsatisfied. If the hype would have just coincided with the release of the film a little more, it would have worked so much better.

Next… well, I’m not going to spoil it, but… crappiest ending ever. Seriously. It was a good monster movie right up until “the line”. Yes, that one you’ve heard about when Sam drops two MFs in one line venting his frustration with the snakes. After that the movie went down hill. It had potential, all the right elements were there, but Kenan Thompson just totally blew it.

The movie, overall, was worth seeing… it is a good monster movie. But its not the end all be all of cool like the hype wants you to believe. See the movie if you want, or wait until DVD (3 months, tops, and maybe they’ll have a half dozen kickass comentary tracks). In the end, I enjoyed Deep Rising alot more than Snakes on a Plane.

Monster!

I borrowed ‘Dreamscape’ on DVD from my brother. This isn’t a review, but I’ll go ahead and say that I really like the movie. Normally when you pop a DVD in and it comes to the menu, ‘Play’ or whatever phrase they use for play will be the default. On Dreamscape, it was the Scene Selection.

The main menu had 4 options: Scene Selection, Special Features, Feature (Play), and Monster!

After watching the movie and going through the special features, I moved over and selected Monster! The screen goes dark, then the Snakeman’s head pops up and he goes “RRRrrraaaaaaa!!” Then it goes back to the menu. I selected Monster! again… Snakeman, “RRRrrraaaaaa!!”… Monster!, Snakeman, “RRRrrraaaaaa!!”… Monster!, Snakeman, “RRRrrraaaaaa!!”… Monster!, Snakeman, “RRRrrraaaaaa!!”… All the while, I just can’t stop laughing.

It just seems like such an odd thing to put on a DVD.

Monster!, Snakeman, “RRRrrraaaaaa!!”