The Wizard Knight

I don’t want to be overly harsh here. But ultimately, I didn’t like The Knight and The Wizard, the two volume tale The Wizard Knight by Gene Wolfe. However, your tastes may vary, so if you see it in the book store, flip through the first few pages and see for yourself.

Now, why didn’t I like them?

The story was pretty good: a boy crosses into another world, one of giants and ogres and more, and becomes a man and a knight. Fairly typical, but with some interesting twists, like this world isn’t just one world, it’s seven worlds that layer over one another and the normal world, as far as normal goes in a fantasy setting, is smack in the middle, with three worlds above and three worlds below. Plenty of the characters were likable, and overall I enjoyed meeting them throughout the tale.

The one drawback, and to me it was huge but may not affect other readers as much, was that the entire story, across both books, was told as if the main character was writing down what happened in an enormous letter to his brother, back in our world (you know, the one we live in, without magic and dragons). As such, almost the entirety of the two books feels like someone is telling you a story, so as much as I wanted to get immersed in this world I was constantly kept at arms length by the writing style. It bugged me.

Along with this was also the author’s choice of weird formal language. The following is NOT an excerpt from either book, but is just an example of how many conversations go within the story:

“I have something that I must tell you, and I need you not to ask me questions while I do.”
“That is fine, but before you start I must know how you got here?”
“I came in a strange manner which will be clear when I tell you what I must tell you.”
“Then I will hinder you no longer. Tell me your story.”
“The story I am about to tell is strange and you may not believe me, but I ask you to trust that I am telling the truth of it.”
“I will take you at your word as I have no reason to doubt you.”
“I knew that you would as you are a trusting man. Here is my tale…”

About a third of every conversation between characters was verbal foreplay, telling each other that they want to tell each other things, interrupting each other to say things that didn’t need to be said at all. Now, this actually happens in real life. You are sitting with your friends at the local pub and you say, “Hey, I’ve got to tell you this story about work.” And they say, “Its not about the copy machine again is it?” And you say, “No, it isn’t, and if you let me tell the story you’d know that.” However, in real life this doesn’t happen all the time. In the book it happens all the time. It got to the point where I would literally see it coming and then skip two or three paragraphs to get to the point where the foreplay is done and the real conversation would begin.

Despite the style of the writing though, I did enjoy the world Gene crafted in his two volume tale. So, as I said before, if you see the book in the store, read a few pages, maybe a chapter or two, and if the writing style doesn’t bother you, pick up the books, it’ll be worth it. If the style bothers you, pick these up only if you are into world crafting and don’t mind it not being a smooth easy read.

Surface, Threshold and Invasion

This Fall TV season saw the premier of three shows about aliens: Surface, Threshold and Invasion. Let me give you a quick rundown on them…

Surface is about a female marine biologist (or something like that) who runs afoul of an unknown invertabrate while in a mini-sub, deep in the ocean; a man goes spear gun fishing with his brother who accidentally spears a huge underwater beast and is dragged really deep after losing his oxygen tank; and a boy finds a weird egg in the water. It turns out the government already knows about the beasts and is quick to start shutting people down… but they don’t want to be shutdown.

Threshold is about a weird 4th dimensional object that appears to a bunch of buys on a Navy ship and messes with their DNA. A woman who consults for the government on contingency plans is called to action as her plan, called ‘Threshold’, that details first contact with aliens is put into play. She assembles a team and starts looking for the missing crewmen while trying to stop them from using the alien signal to bioform and terraform our people and planet.

Invasion takes place in Florida, and during a big hurricane, a bunch of lights fly up out of the sea and it appears that in a bodysnatcher-like way lots of people have been infected or replaced by aliens. As the town recovers from the devastating storm, weird stuff beings to happen.

Okay… from the initial descriptions, I put my money on Threshold for the win. For one, it had no kids. Invasion is practically about families, and one of the three main people in Surface is a kid raising an alien which is just all too ‘E.T.’ for me. Threshold sounded like a solid story about a government organization assembled to face an alien threat. That’s why I’m so disappointed that it has sucked so far. I mean, this week, which is the 7th or 8th episode of the season, finally revealed that the alien signal is terraforming as well as bioforming, something I assumed from the get-go since it was manipulating people on a genetic level and plants aren’t so different. Plus, it had all the actors… Charles S. Dutton, Carla Gugino, Brent Spiner, Peter Dinklage and even William Mapother who did a great job as Ethan on the first season of ‘Lost’, and Brian Van Holt who I just saw on DVD in ‘House of Wax’ where he did an excellent job. It’s these people that keep me watching the show at all… the plot is moving forward so slowly though. Ugh.

I also had good hopes for Invasion. I love a good bodysnatchers movie, and this one had a cool twist in that the people who’ve been ‘snatched’ aren’t really sure what’s going on themselves. Then there is the lynchpin of the story, that the town sheriff is also one of the snatched, but he got snatched years ago, so he’s kinda sheparding the newly snatched into dealing with what has happened. To top it off, the show is created by Shaun Cassidy, whom I gained massive amounts of respect for back in 1995 when a little known show called ‘American Gothic’ hit the air, about a sheriff who might be the devil, a boy who might be his son and the product of a rape, and all the ways in which the sheriff controls the town. I loved that show, so I just knew this one would be good, even if it ended up getting cancelled after one season like ‘American Gothic’. But again, I was let down… again this past week was the 7th episode or so, and finally the story started actually going somewhere. Maybe it’ll get better. In the meantime though I think I’ll go buy ‘American Gothic’ the complete series on DVD.

This brings us to Surface. I would have bet hard earned dollars that this show was going to blow. Dinosaurs in the ocean? Come on, we can do better than that! The whole plot just seems so… silly. And yet, by their 7th episode they are in full swing. We’ve seen the baby alien, we’ve learned some of its abilities, we’ve seen glimpses of the big ones and the wreckage of what they can do, we’ve got a full blown government conspiracy to cover up their existance and even the government turning on their own leading scientist when he begins to feel they need to start going public. We’ve got families being broken apart and the whole thing is spiralling on a collision course with something… I’m not sure what yet exactly, but this show is definately going somewhere.

So that’s my review of the alien shows this season…

Homeland Security

Since 9/11 I’ve been through security at the Atlanta airport a few times. People are so desensitized to it now that its automatic, when you approach the metal detectors and xray machines you take off your shoes and place them on the conveyor belt. People practically strip just to avoid getting hasselled. So I went to the airport yesterday with a certain expectation… and an expired driver’s license.

Now, my birthday was the 10th and I had just completely forgotten to renew it. So I got stopped and then turned away. They sent me to a desk to argue my case and see if they’d be willing to stamp me through. They didn’t.

However, the guy standing next to me had a different problem. His name was Steve Johnson, but his ticket was in the name William Hawkins. (Names have been changed to protect the innocent.) So Steve begins to unravel his story… His name used to be William Steve Hawkins, but he doesn’t like the name William so he’s always gone by Steve. As a child, he was adopted, Hawkins is their last name. He didn’t get along with them, and a few years ago he sought out his biological parents, and found them, they were named Johnson. He’s made a good relationship with them and last year he had his named legally changed to Steve Johnson. Now comes the silly part, as if its not silly enough. Steve’s wife (still named Hawkins) booked his flight for him, using a credit card that was still in his old name. So his driver’s license says Steve Johnson, but his credit card and his ticket say William Hawkins. And they let him through.

So the lesson here is, if I had had someone elses driver’s license or someone elses ticket and a good story, I could have gotten on the plane. But since I had my own expired license, I’m a security risk.

50 First Dates

On Valentine’s Day, Jodi and I went out to see 50 First Dates, the new Adam Sandler movie.

The story is that Adam plays a guy who lives in Hawaii and dates only tourists so that he doesn’t have to commit. Drew Barymore plays a woman who was in an accident and has problems with her short term memory, she forgets the day when she sleeps. Adam meets Drew and they fall in love. Then every day Adam has to get her to fall in love with him again.

Its funny, really funny. And it cute, and romantic. Its a good movie. Two thumbs up.

Signs

M. Night Shyamalan does it again.

I won’t ruin the movie for you, but Signs is another great movie from M. Night. An edge of your seat suspense story about aliens and a Pennsylvania farmer.

Go see it.

1 July 1998

There are 2 things I want to talk about here in my .plan, but one will have to wait until tomorrow (or the next update).
As happens often, my judgement of “good” movies has been called into question. Mostly this time it was triggered by an offhand comment about my selecting Outland as a movie to go rent, and how I was full of it. So I decided that maybe I should fill people in on how it is that I judge movies.
First, never have any expectations. That’s my #1 rule because I find that if I believe the hype of a movie I am ALWAYS let down. The only times the hype ever helped a movie in my opinion were Batman and Independence Day. If you remember the commercials and previews for those movies, they gave absolutely nothing away. Hell, the Batman promos were just the Bat Symbol and the date it was coming out. Only later did they actually show you what Batman or the Joker looked like. The way they handled it, you were salivating whenever you saw a commercial because they new you already wanted to see it (I mean, who didn’t want to see Batman) all they had to do what make you NEED to see it. ID4 did the same thing by never showing the aliens, by only showing fast moving and fleeting shots of the alien crafts. Both movies promos made you feel like you needed to see the movie and kept enough from you that they delivered. Sure you can drive trucks through the plot holes in ID4 but who cares, you were on the edge of your seat anyway eyes plastered wide open. Jurassic Park is one I waffle on in this category because they showed a little more in the previews and commercials, but the fact that most theaters sold 7-day advance tickets for it shows that the campaign worked. A bad example of this, although I liked the movie, Deep Impact. About 80% of the movie was revealed in the trailer, so there wasn’t much to surprise me, I saw it all coming, but this is part of it. I prefer it if I don’t KNOW what the movie is going to tell me before I see it, but even if I know every step they will take I can still enjoy the movie. So to recap this, never have any expectations, or just have them low enough that the movie will exceed (i.e. – if you went to Godzilla looking for a monster to tear up New York, you were happy… if you were looking for an emotional struggle of the people who’s lives were affected by the destruction of the city, you were insanely stupid and hated the movie). I guess the true guide is, go in with basics, not specifics.
Second, don’t think. This one is where people get stuck. Most people have no problem with setting aside expectations of a film, it’s not hard. But to ask them not to think is hard. Now I need to explain myself. A movie is entertainment. Sure, it can contain a deep meaning and be socially important, but there IS a difference between a documentary and a movie. A movies is not just presented facts, it’s a story. I like to think of it as a ride. Let me give you a human example of what I mean. One of my friends, Joel, is a movie-thinker. It’s all he does. He wants to be challenged by a movie. We went and saw The Usual Suspects and The Game. He loved both of them for one reason, they beat him. He couldn’t out-think those movies. They took turns he didn’t expect and they gave him an ending he didn’t see coming and he applauded the movies for doing that. Now, I’ll admit, I’m being hard on him. For romance movies or for “classics” he suspends the “challenge me” attitude. And once a movie beats him once, he always respects it, so seeing The Game again wouldn’t make him hate it since he knows what’s going to happen now, he’ll remember that at one time it did win. My attitude is that the story unfolds as they tell it. I watch, I pay attention. I take notes of things, “He just put the knife in his own pocket and not the desk drawer”. But I don’t try to stay a step ahead, mostly because (to toot my own horn) I’m a smart guy, and I’d win too often if I tried to out-think a movie. The only thing that can ruin a movie for me storywise is if they say “Ah, remember! I put the knife in my pocket!” but they never showed it, either because it was edited or because it was left out on purpose (because otherwise you would have figured it out). Other than that though, I sit back at let the movie pull me along at its pace. That’s what I mean by “don’t think”. Don’t try to win. Let the movie tell you its story.
Third, it’s all you. By this I mean that there are some movies you are just not going to like. If you hate horror movies then don’t go see H2O when it comes out (Halloween: 20 years later, for those not in the know). If you hate disaster films, don’t see Armageddon. Remember what you like and don’t like, and choose accordingly. And if friends are going to see a movie of a type you don’t normally like, tell them, or get them to pay (there is nothing better than being able to say “Well, that movie sucked. At least I didn’t pay for it.”), or just bear it for one of 2 reasons. 1, tastes change, you may like something you previously didn’t. And 2, related to the hype thing, some movies get billed wrong (i.e. – If you saw Event Horizon what you saw was a haunted house movie in space, but all the commercials were pushing it as a SCI-FI suspense thriller, email me if you still don’t get the distinction and I’ll explain, I guess a better choice would have been to fine one of those “screwball comedies” that make you cry when you see them cause there are only like 2 jokes in the whole movie). So to sum up this one, keep in mind who you are.
Fourth and finally, opinions and assholes. Like the old saying goes, everybody has one. Remember that. You hate a movie, fine, that’s cool, say it, say it all you want. But don’t try to tell me, or anyone else, the I didn’t like it either. I say I like it, that means I like it. If you care and ask I’ll be more than happy to tell you why I liked it (I watch a movie called The Stoned Age once every couple of weeks cause, damn, that movie is just funny as shit). And I’ll be sure to ask you why you hated it. But never, ever presume that you can change my mind by repeatedly saying “That movie blew! It sucked ass!” or even “That was the best movie ever!”, the only way you can move me is to show me why I should move and allow me to move on my own, pushing just makes me push back (and most people are the same way).
That’s it… the “Jason Pace Patented Movie Viewing Policies”… Don’t expect more than the basics, don’t try to out-think the movie, remember who you are, and that your view is your “opinion”. And keep in mind throughout all of this, it’s just a movie. If you rent a movie I recommend and hate it, email me and tell me why you didn’t like it, but don’t expect a refund.
I guess I should also throw in as an after note, that some movies are viewed with a purpose, to see one scene or for a particular special effect or for an overall mood and not a specific story, and that should also be kept in mind in reading my recommendations.
Another long one… told you it would happen again… and I’ve got another that it in the wings…
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Today’s Song: anything by Seven Mary Three. That’s not a song, take it literally. I’ve got both American Standard and Rock Crown in the player today and I stop every 2 hours to hear the local radio station play the new one (if you know when the release date is, email me). They rock… they roll… they are damn good… every albums gets better. I should also say, I guess, that I feel the same way about Better Than Ezra as I’ve got Deluxe and Friction, Baby in the player as well. I think SMT is coming to town soon, gotta check the TicketMaster page (all venues in Atlanta are TM venues).
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Today’s Movie: Dogfight. I forgot how good this movie is. I watched Nick of Time again because I was feeling like it, and then decided to take on something a little more dramatic, so I popped in Dogfight. If you haven’t seen it, here’s the lowdown. River Phoenix plays a marine who is about to ship out to Japan right near the beginning of Vietnam (the real fighting hasn’t started yet, it’s still just “military assistance”). He and his buddies have what is called a Dogfight. It’s a party where everyone throws $50 into the pot, the dance hall, food and drinks are paid for out of that and the winner gets the rest ($100). What’s the contest, bring the ugliest date. River was always good in his roles, even the cheesy ones like in The Explorers, and Lili Taylor does a great job as the woman he gets involved with. Damn good movie. Go see it.