Instant Gratification

When it comes to movies, its been years since the world has gone to a model of instant gratification. I want to say it was Batman that sealed the deal, but I don’t know for sure. I do know that that is when I noticed the change. Before then, having a solid opening weekend and good review was what companies wanted… followed by their movie staying at the box office for a few months, maybe more. Somewhere in the late 80’s that changed and studios began pushing for a mega-opening followed by… well… nothing. Advertising for films push the opening weekend so hard, and any movie that doesn’t crack twenty million at least is considered a failure. And if you notice, up until that opening weekend you’ll see commercials, and hear radio spots, but after that first weekend, any movie that didn’t finish in the top 5, doesn’t have critical acclaim or an Oscar bid will vanish. No more ads. It lost. The only exception to that rule is a movie that came out before a holiday but might experience a surge due to a holiday, like any romantic comedy or date film type movie that came out in January always gets a second push for Valentine’s Day… if its still in the theaters.

Television in the last few seasons has finally caught up to movies. This season saw Emily’s Reasons Why Not get a huge advertising push prior to its debut, then when it didn’t snag a monster share of viewers, not only was the advertising dropped, it was cancelled. After one single airing of the pilot episode, the network scrapped the show. Now, I’m not saying that Emily was a great show. It was kinda funny, and Heather Graham is nice to look at… but one episode? First off, it was airing in a slot that had previously belonged to Monday Night Football, so people who watch fluffy romance comedy shows weren’t likely to be on that channel at that time. And to be honest, as much as ABC claimed they promoted the show, if I didn’t normally watch shows on ABC I’d have never known it was on as most of their ad push seemed to be commercials on their own network during shows that, while popular, were not anywhere near the same demographic… I kept seeing the commercials during Lost and Invasion. Sci-Fi fans aren’t likely to watch romantic comedy shows.

Outside of Emily, CBS has pulled Love Monkey after, what, three episodes? It was a quirky show about the music industry using unknown acts and delivering rapid fire dialog. Obviously they pulled it because some page of numbers somewhere indicated that this show should have dominate the dial pulling in 30 million viewers… and obviously there are some TV execs with their heads firmly planted in their asses if they thought this show was going to be anything other than a niche show until at least a dozen episodes had aired and allowed word of mouth to spread. ‘Night Stalker’ also got cancelled a while back because it was only pulling in ‘X-Files’ ratings (a show that started slow, but ran 9 seasons, had a movie, and continues to sell seasons on DVD for $70 despite that the usual season price these days sits around $40-$50) and not ludacrisly lofty ‘American Idol’ numbers. And there are lots more examples…

It seems like Television, as with their Film counterparts, have lost faith in anything but the Out-of-the-Gate success. And its a shame, because lots of these shows that are falling by the wayside are good shows, and half of the ‘monster hits’ of the past wouldn’t survive under today’s rules. But then again, I think I have loved every show that has ever been pre-maturely cancelled, so my view may be biased.