Category: Reviews

Reviews of Music, Movies and More…

Movie Round-Up: December 4th, 2009

Reviews

I missed last week because it was Thanksgiving and I was sick, but enough about that and more about this week’s movies…

Brothers:

The cast looks good with Tobey Maguire, Jake Gyllenhaal, and Natalie Portman, but I’ll be honest and say I know nothing about this movie, so let me look it up.  One moment please… hmm, sounds depressing.  Maybe I’ll watching it when it shows up on Netflix or something.  Pass.

Everybody’s Fine:

I went to a screening for this, we arrived early as usual, but the line was so huge that we didn’t get in.  That happens sometimes.  I really do want to see it and might go this weekend.  I love me a good holiday movie about family.

Armored:

So, I saw this last night at a screening.  The short of it: six employees of an armored car company decide they are going to rob their own hauls and things don’t go according to plan.  The thing with a movie like this is that it has been done before.  A lot.  So the point here isn’t really to be original, especially since crazy originality in heist movies tends to lead to implausible stretches of believability, but to simply do the story well.  Armored starts a tad slow, mostly because the movie wants you to be introduced to the characters, their environment, and to almost painfully lay out exactly the reasons why the heist is going to happen now and point out all the reasons why it has to be done this way.  For example, the man in charge of the officers explains that next week they’ll be getting new trucks with GPS, informing you that right now they rely on radio contact and so are blind between scheduled check-ins.  However, once they get the money in the trucks and begin to commit the theft, the movie really picks up, and it does everything from that point on fairly well (except this one chase scene which if I had been the writer I’d have done without and put in a different tension element).  No, Armored probably isn’t worth the full price of admission unless you’ve got the spare cash to burn, but it was fun and well done.  Worth seeing.

Movie Round-Up: November 20th, 2009

Reviews

Not only am I under the weather, but its November and I’m trying (and failing) to do the NaNoWriMo… but enough about me and my lack of posting, on to the week’s releases.

New Moon:

I’ve never read the books, and doubt I ever will.  The first movie was horrible, and I suspect this one will be horrible too.  You would have to pay me to see this in the theater, my rates begin at $30 per hour.

Planet 51:

It looks like a fun family movie… and that’s all I have to say about that.

The Blind Side:

A better family movie, if you are inclined to see one, would be The Blind Side.  It follows the story of Michael Oher, a boy who is taken in by a wealthy family and plays football.  Based on a true story, it is funny and heart warming, and frankly I enjoyed it far more than I expected to.  I can’t say for sure if I would pay full price to go see this in the theater, but if you are already taking the family out to see a movie, already willing to pay money for a couple hours of entertainment, you can do much worse than this inspiring tale.

Movie Round-Up: November 12th, 2009

Reviews

2012:

Let’s face it, I’m a Roland Emmerich fan.  His movies are usually slightly (highly) absurd but they all end pretty much the same way: the triumph of the human spirit.  Plus, the special effects in this film look pretty damn awesome.  Some people will complain that its just “CGI vomit” but seriously, how else would you show the destruction of the world?  Do it for real?  Anyway, I’ll be making a trek to the theater to see this on the big screen, because that really is how these sorts of films should be seen.

Pirate Radio:

This movie is fictitious tale about the pirate radio stations broadcasting rock ‘n roll to the UK in the late 1960s.  None of it is actually true, but it is based on real elements (like pirate stations running from boats off-shore and the Marine Offenses Act).  Don’t go here looking for facts.  But for some good music and fun about a group of guys blasting rock music for the people of the UK in defiance of the government, this movie is where it’s at.  Well written, well acted, and well filmed, this movie is fun and funny through and through.  The box office for this film is going to suffer opening opposite 2012, but perhaps after you’ve seen the awesome FX laden destruction-fest you might consider seeing this one for a good laugh.

Movie Round-Up: November 6th, 2009

Reviews

The Men Who Stare At Goats:

This movie looks bizarre enough to make me laugh. Seriously, a movie about a secret military group trying to kill goats with the power of their minds? I may not rush to the theater to see this one, but it is definitely on my must see list for the future.

A Christmas Carol:

Again?  I suppose Hollywood needs to trot out the Dickens classic every now and then, but I haven’t been a huge fan of the dead-eyed uncanny valley motion capture Zemeckis films so far, perhaps this one will change that.  It is in 3-D, and I love me some 3-D.  However, I might want to wait until a little closer to Christmas to see it.  I just hope its not gone by then.

The Fourth Kind:

I like movies about alien abductions. Fire in the Sky, Communion, and so on. So I am predisposed to like this movie, however, after seeing a screening I found I only sort of enjoyed it.  It was interesting, but felt more like a documentary than a movie.  On the other hand, as a film making experiment I think the movie does very well. Writer/Director Olatunde Osunsanmi used a mixture of “filmed” footage starring Milla Jovovich and “raw” footage consisting of audio and video tapes of the true events the movie is based on.  In addition to that, the majority of the “filmed” footage, taken almost as re-enactments, played in simple stereo sound and had a tinny quality, as if we were listening to the sound through a tape deck, but when important “action” scenes, those concerning contact with aliens, the theater would flood with full high quality surround sound.  It made an impact on the audience, the switch from stereo to full surround, and heightened the experience.  While overall I was a little disappointed in the story of the film, I would definitely recommend seeing this one in the theater if you are at all interested.

The Box:

With the success of I Am Legend a little while back, it was inevitable that other Richard Matheson stories would get to the big screen.  This one, originally titled “Button, Button”, was also previously an episode of the 1985 run of The Twilight Zone.  A half-hour or hour long show seems the right length for the content of this story.  Matheson’s original differed from the Twilight Zone episode, and so this movie differs from both.  It was too long, too slow, and for something billed as a horror and/or suspense film, it lacked both.  The real problem with the film is that it telegraphs its only punch and then never deviates.  If you pay attention in the beginning, after the short conversation with Mr. Steward after Norma Lewis presses the button, you have all the information you need to know how this is going to end.  Sure, the movie throws a few red herrings at you to try to fake you out, but they are all hollow elements, and in my opinion would have been a far more interesting story than what we got if they had been fleshed out.  So, my recommendation, pass on this one.  In fact, don’t even bother with it down the road when its on DVD or cable.

Olatunde Osunsanmi

Movie Round-Up: October 30th, 2009

Reviews

This is going to be the “Small Film Edition” of the Movie Round-Up, mainly because I don’t want to make a post just about the only wide opening this weekend:

Michael Jackson’s This Is It:

Never has there been a film so ominously appropriately titled.  Personally, I’m a big fan of the old MJ.  The Jackson 5, his solo work up to about half of the Dangerous album.  And there is no denying that he was the King of Pop… but he was also the King of Odd.  While it is possible that I might one day see this film if it becomes available for streaming on Netflix, I absolutely won’t be rushing out to the theater to see it.

Now, on to the smaller films opening this week…

Gentleman Broncos:

This one is from the director of Napoleon Dynamite and Nacho Libre, both are films I found funny but not really worthy of the devotion and cult following they have received.  Gentleman Broncos looks to be cut from a similar cloth and I’m sure I’ll enjoy it when I get a chance to see it.

The House of the Devil:

The only horror film opening on Halloween weekend, sadly its only in three theaters.  But that’s okay, you can see it through Xbox Live and a few other On Demand services.  My main draw to the film, besides it being a horror movie, is that one of the stars is A.J. Bowen, who I know.  I’ve enjoyed his work in The Signal and even Creepshow III, so I’ll probably find the time to watch this one at home if its still available on Xbox.

The Boondock Saints II: All Saints Day:

In 2001, I took a three month contract dig working overnights as a server engineer.  My job was to periodically check the servers and make sure they were doing their job, and if they weren’t I had to fix it.  To the credit of the people who built the servers and software, they rarely weren’t.  This meant I had approximately six to seven hours each night, just me and one other engineer doing nothing.  I spent a lot of time browsing the net and listening to music, we even installed games until they took away our 3D graphics cards.  Since every PC had a DVD-ROM drive, we also watched movies.  Mostly I watched my own movies from home, but one night the other engineer slipped me a burned DVD, written across the white label was “Boondock Saints”.  And thus I was introduced to the original film.  I absolutely adore the film, it is not perfect, nor even in my top ten, but I’ve seen it a couple dozen times and I still enjoy it as much as I did the first time.  It is just so well crafted and the characters are so interesting…  When I heard a sequel was being made, my first reaction was “Yes!” but then I thought about all the sequels that suck and I was worried.  However, I’ve heard enough good news about this one to get me excited again.  It is opening on 65 screens, none of which are in Atlanta.  Hopefully it will go wider… if not, I’ll catch it on DVD where it can join the first film in my movie library.

Movie Round-Up: October 23rd, 2009

Reviews

Saw VI:

Another October, another Saw film.  I saw the first one and liked it.  I even saw the second.  I’ve yet to see the third, fourth, or fifth, so I clearly can’t see number six in the theater.  Also, I’m not a big fan of the uber-gore torture films.  The only interest I have in the Saw series at this point is the base plot and how they tie together.  I can get that from Wikipedia.

Amelia:

I didn’t get a chance to see a screening of this one, but it interests me in the same way that all movies about historical people do.  The cast looks great, and while I won’t be running off to see this at the theater, I’ll be eagerly awaiting the release on DVD so I can rent it.

Cirque du Freak – The Vampire’s Assistant:

Oh great… another vampire movie.  At least its not Twilight, which I finally saw and thought was awful.  But this movie has potential.  First, it doesn’t take itself too seriously, so you shouldn’t either.  The actors are all hamming it up pretty well, so you should join them as you romp through this tale together.  Its fun, maybe not worth full price, but probably worth a matinee or early bird showing.  I just hope that if the series continues it remains this light and fun.

Astro Boy:

The character has been around for over 50 years, and while I had seen the image now and then I have never read any of the manga or other comics or seen any of the TV shows or movies.  Going in to this film, all I knew was “Astro Boy is a robot.”  So the direction the movie took was quite startling to me.  Toby, the son of Dr. Tenma, is killed in a horrible accident, and the doctor, being a grieving robotics genius, builds himself a replacement son using the latest technology and the boy’s DNA.  Tenma quickly learns that this robot is not actually his son, and that having the boy-bot around is just a painful reminder of his loss.  The boy runs away, then is hunted, and eventually winds up on the surface below… oh, did I forget to mention they all lived in a floating utopia called Metro City?  Yeah, and the world below them is little more than where they dump their garbage, at least that’s what they think.  Astro finds new friends among the surface dwellers, but he won’t be safe for long as the President of Metro City is looking for the power source that is running the boy robot.  I thought the animation of this film was superb, and the voice acting was great, but really it is the story that knocks this movie out of the park.  I found myself at the edge of my seat, drawn in to this world and caring about Astro Boy.  Not since The Iron Giant have I cared so much about a robot, and while Astro Boy isn’t quite up to that level of greatness, it is great film.  Go see it.

The Graveyard Book

Reviews

Quite often, books fall into one of two traps.  The first is “everything happens all at once”, this is because they want to tell a story and they want to tell you all of the story, but they don’t want to drag it out over years, so instead everything happens in a short period of time.  A normal person is suddenly thrown into a mess and over the course of a few days the world is saved.  The second is “all the boring parts too”, this being where in order to tell the whole story they tell you the whole story, years of a character’s life when large chunks of it are irrelevant.

Neil Gaiman’s The Graveyard Book is how you tell a long story without falling into either trap.  This is the story of Nobody Owens, a boy who loses his family and grows up in a graveyard.  His tale is told almost as a collection of short stories rather than as one long novel, but there is a common thread throughout and keeps it from being just a collection of shorts.  Like a stone across the water, we skip through Bod’s life as he has encounters and experiences that shape him, all the while hiding from the world and the man who might still be looking to kill him.

This book was a fantastic read, and perfect for the month of October and the Halloween season.  I enjoyed it thoroughly and can’t think of anyone who wouldn’t.

Movie Round-Up: October 16th, 2009

Reviews

Where The Wild Things Are:

Lots of people are familiar with the children’s book by Maurice Sendak and so there was much excitement and anticipation surrounding this movie.  The first thing you should do is remember how little story there is in the book.  In case you have forgotten, its about a boy who throws a tantrum and is sent to bed without dinner who then goes on a magical adventure with the Wild Things where they make him king and have a rumpus until the boy decides to go home, and after returning he finds dinner waiting for him.  It really isn’t the sort of thing you’d expect to be made into a full blown hour and a half movie.  Considering what little there is in the source material, Spike Jonze does a pretty fantastic job of turning it into a movie.  He does capture the style of the art, the Wild Things themselves, and the island they call home.  But the story here, which much expands upon the ten sentences of the original, is about a boy who may or may not have behavioral problems.  For sure he does based on his lashing out (wrecking his sister’s room and biting his mother), and we are only given peaks at the possible causes (a sister who doesn’t want him around, a single mother who works hard and is dating) but nothing concrete is ever said.  When Max runs off into the world of the Wild Things its obvious, to me at least, that each of the Things is an aspect of Max’s own personality, his feelings.  They play, they fight, they talk, and Max does eventually come home and his mom feeds him dinner.  I would caution people who want to take their kids to see this.  Go early when your kid has energy, because when I saw this at 6pm, the movie just wasn’t colorful or exciting enough to hold the attention of the fifty or so kids in attendance.  It makes for a good “art house” style film, but I think most kids are going to be bored.

The Stepfather:

Yeah… this movie isn’t exactly going to be breaking any new ground.  Guy is a psychopath who likes to marry women with kids, then kill them.  New step son gets suspicious.  Stuff happens.  You’ve seen this movie before and you will see this movie again.  Why?  Because it is fun!  But fun as it is, it is also not really worth $10 to see.  Wait for DVD.

Paranormal Activity:

If maniacal family members and overt scares aren’t your thing, consider going to see a late showing of Paranormal Activity instead.  I’m not going to blow smoke here.  This is not the scariest movie ever made, and anyone who has told you otherwise is lying to you.  However, the style and production of the film lend it to a level of creepiness that might get to you if you are the sort of person who is afraid of the dark.  It is a slow building film, similar to The Blair Witch Project, but in my opinion much better (and less shaky camera).  If you haven’t heard anything about this movie, don’t go looking, just go see it… this is one case where knowing nothing makes the movie better.

Black Dynamite:

Years ago, I’m Gonna Git You Sucka parodied the 70’s blaxploitation films by bringing it into the (then) modern era and poking fun at the common elements most of them shared.  Black Dynamite does the same, but with a decidedly different approach.  The production values make the film look more like a lost 70’s film, and their skewering of the genre is as much aimed at the construction of those films (the screenplay, the acting, the sets, the use of stock footage) as it is the tropes they all shared.  I honestly have not laughed this much or this hard at the theater in a long time.  If you can handle the language, sex and 70’s as well as the absurdities of the plot, this movie is well worth the price of admission.

Law Abiding Citizen:

The only release this week I haven’t seen a screening of is the one I want to see the most.  Gerard Butler plays a guy who feels his justice was undermined by the DA (Jamie Foxx) who offered one of the men who killed his family a deal.  It turns out he isn’t just any regular schmo but some super black ops type mega spy assassin dude who is going to get his revenge on the men who did the crime and the system that didn’t punish them to his satisfaction.  I may have mentioned before that I think I’d pay to listen to Gerard Butler read a phone book… damn I’d kill to have that accent.  Plus, I generally like every movie he’s done.  And hey, I saw the preview, stuff blows up, and there’s nothin’ wrong with that.

Movie Round-Up: October 9th, 2009

Reviews

This is going to be short…

Couples Retreat:

The only movie opening this weekend and I did not get a chance to see a screening.  I’ve seen the trailer, and it looks like it might be funny, but there is no way I’d spend $10 to go see this in the theater.  But the moment it drops on DVD or Netflix, I’m sure I’ll see it.

Here We Remain & What We Become

Reviews

After the devastation of volume 8 of The Walking Dead, I wondered where exactly the story would turn.  Here We Remain answers that as we follow Rick and his son on their own.  Of course, they don’t stay that way for long, and it turns out that not all of our old friends are dead.  But Rick still lost his wife and baby, and after all he’s been through it isn’t surprising that he might finally be going a little nuts.  We also meet some new people here, one of whom is a scientist who thinks he might be able to do something about all the damn zombies.

What We Become takes our group on the road to Washington D.C. where the new scientist friend says he needs to go.  Everyone is a little more frazzled and rattled having left the prison, left the ranch, and hit the road with many of them riding in the back of a truck.

Hands down, The Walking Dead is the best set of zombie stories I’ve ever read.  I continue looking forward to more.