Reviews of Music, Movies and More…

Star Wars: The Clone Wars

9 out of 13 nots.
for great animation but a not so great story

If I were a fanboy of all things Star Wars, I might be inclined to proclaim that this movie, The Clone Wars, is the best thing since sliced bread.  Since I am not, however, I maintain that when you consider it, sliced bread is in fact still pretty awesome.  If you know you, you might have heard me say some form of that before, and basically it means that I feel the movie was a great attempt, but that it missed greatness.

The Clone Wars is set during… the Clone Wars.  It happens between episodes II and III of the Star Wars Saga.  Someone has kidnapped Jabba the Hut’s son, and since the Republic needs use of the outer rim space travel lanes to move troops, the Jedis agree to help find and rescue him.  Of course, nothing is ever simple, and lots of things go awry.

The biggest problems I have with the film stem from the same place that the problems I had with the new trilogy came from: George Lucas is just making shit up.  And I don’t mean that in a “he’s a creative genius” way… I mean that in a “he doesn’t even read his own work for consistency” way.  So, despite it never being mentioned, not once in the three original films, or in the third new film (the most logical place for it to have appeared), Anakin gets his own paduan.  Which despite its complete out-of-left-field nature, makes perfect sense given Lucas’ (and others) incessant need to manufacture adolescent characters for kids movies, because they clearly would never be interested in any movie that didn’t have a kid in it.  (Note: The original trilogy of Star Wars films, which was wildly successful, contained no children, not even pre-teens.)  The character of Ahsoka feels completely shoe-horned in.  Dialog between her and other characters smacks of the “Oh yeah!  Well, I may be young, but I’m no kid!” attitude Hollywood loves.  Its just… annoying.  And every time I hear the word “youngling” I want to punch George Lucas in the face.

Outside of issues with the characters and story, the film itself is beautiful.  It sits in a place that I can only describe as a blend of computer graphics and painting.  The textures and shading used adds a unique element to the film that lifts it from being an ordinary CGI affair.

I will say, though, if you go to see an animated movie this weekend, see this instead of Fly Me to the Moon.

Fly Me to the Moon

4 out of 13 nots.
for wasting 3D on a film not worth seeing

I went an saw Beowulf in 3D and I liked it.  I saw Journey to the Center of the Earth in 3D and I loved it.  In Fly Me to the Moon they went for the gusto and used the absolute most 3D they could possibly cram into every single scene and I hated it.  There were so many things going on on so many levels that it physically hurt my eyes to watch some scenes.

If that weren’t enough, the movie itself was boring, the plot had giant holes you could launch the Space Shuttle through, and it wasn’t even very funny.  Unlike other kid’s movies, like those from Pixar, there is nothing in Fly Me to the Moon to appeal to the adults who go see the film with their kids.  In fact, most adults will probably be bothered, like I was, by the inane story and aforementioned plot holes.

The entire film seemed like a bunch of ideas thrown together to use 3D and mesmerize toddlers with pretty colors.  But don’t think just because the movie is aimed at kids that your kids will love it.  If you go see it in a 3D enabled theater, your kids will need to wear the glasses for the whole 84 minutes, and if the population of my theater is any indication, half of kids will “ooh” and “aah” and laugh at the funny flies, while the other half cry at all the things coming at them from the screen.

All in all, I really, honestly, can’t recommend this film to anyone.

Tropic Thunder

10 out of 13 nots.
for kicking Hollywood in the gonads

I am sure by now, unless you live under a rock, you have heard about the controversy surrounding Tropic Thunder.  Ben Stiller’s character of Tugg Speedman portrayed a mentally disabled boy in a movie called Simple Jack.  Yes, the character of Jack is rife with stereotypes of the cognitively challenged… but that’s sort of the point.  Tugg took the part of Jack in a blatant attempt to show that he was more than an action star and to try to nab Oscar gold.  Tropic Thunder is not about Jack, its about Tugg, who himself is a stereotypical action star, doing what we, the audience, already consider to be fairly tasteless (blatant Oscar bid films) and taking it to the extreme.  Much the same way that Robert Downey Jr.’s Kirk Lazarus is taking actors who physically transform themselves for their craft to the extreme (he gets his skin dyed so that he, a white actor, can portray a black man).  Every character in the film is a caricature of people who exist in the real Hollywood, and it is really funny.

However, to every person out there… this movie is rated R for a reason.  Take it seriously.  And its not just for the swearing (of which there is a lot), or the blood and gore (or which there is plenty), or nudity (which there isn’t any, unless you count Jack Black in his underwear), it is also because, unless you are a person who can discern the difference between a joke and not a joke (like, for instance, kids), this movie might be extremely offensive… to everyone.  But hey, if you can take a joke, and if you can separate having a laugh from having a world outlook, this movie is a hoot.

Of course, we could always ban jokes about the mentally disabled… and other disabled people… and blacks, and jews, and fat people, and skinny people, and business people, and homeless people, and normal people.  We could ban all those jokes… but then all we would have left are knock-knock jokes, and not very many of those at that.  Remember, for every movie you think isn’t funny, there is a movie you think is hilarious that someone else thinks isn’t funny.  Even Finding Nemo makes fun of people who have memory problems…

Bottle Shock

10 out of 13 nots.
for a little comedy, a little drama, and a little wine

Based around the infamous blind wine tasting in 1976 that has come to be known as the Judgement of Paris, this movie follows a British man, Steven Spurrier (played by Alan Rickman), living in Paris as he heads to California to find wines for his tasting.  His intent is to draw notice to himself, his wine shop and his Academie du Vin by having a showdown between French and California wines to celebrate the American Bi-Centennial and France’s involvement in the origin of the American Nation.  He expects the French to win.

But the movie isn’t just about the one man and his wine tasting… it is also about the people of the California vineyards.  Specifically the family of the one vineyards in particular and some of the people around them.

There is nothing really surprising here.  If you know anything about the 1976 wine tasting, you know what happens, but all of the actors here (the aforementioned Alan Rickman, Chris Pine, Bill Pullman, Rachael Taylor and Freddy Rodriguez) put in great performances and make the film an enjoyable journey to the inevitable end.

It is not for everyone, to be sure, but I liked it.  It may be hard to find at the theater though, as it is only opening in limited release.

Ptolemy’s Gate

Every once in a while, something you intend to do gets away from you.  Back in 2006, I picked up and read The Amulet of Samarkand and I really enjoyed it.  Like a grim and gritty version of other books about magic with a kid for a main character, it just felt more… real… than things like the Harry Potter books.  Later that year I did read the second book in the series, The Golem’s Eye, and I enjoyed it as well.  I even picked up the third book, but somehow, for some reason, I never got around to reading it.

Well, I finally did.  Ptolemy’s Gate is the final third of the Bartimaeus Trilogy by Jonathan Stroud.  In this tale we find ourselves back with Nathaniel, a few years older and stronger, but perhaps not wiser.  He’s kept poor Bartimaeus enslaved and trapped on Earth so that his essence has become quite weak.  Meanwhile, Kitty has gone into hiding and taken up learning magic because she desperately wants to talk to Bartimaeus and the only way she can think to do so is to learn to summon him herself.  War rages in the Americas and the commoners of England are beginning to get out of control.  The magicians are losing their grip…

And I won’t go any further, because it would spoil everything.  This book makes for a perfect end to the trilogy, wrapping everything up quite satisfactorily… for me as the reader, some of the characters don’t make out so well in the end.  The three books together make up 1500 pages of excellent storytelling.  I look forward to new works from Mr. Stroud in the future.

Swing Vote

10 out of 13 nots.
for good clean (dirty) political humor

Swing Vote is the extreme representation of the idea that every vote counts.  Two candidates are running for President, one has 266 electoral votes and the other has 267.  The only state not reporting is New Mexico, which is a swing state (meaning the winner of the popular vote gets all the electoral votes), and in fact it has all come down to one tiny town with only a few hundred registered voters.  Even more improbable, it has come down to one single vote, which due to machine error did not get counted and by law is allowed to be recast in ten days time.

Of course, the identity of the voter, Bud Johnson, which is supposed to remain secret, gets out and the media, as well as both Presidential campaigns, descend on the town of Texico, NM, and the absurdity begins.

The most prevalent commentary of the film is that politicians will say anything to win, that they try to court the most voters, even if they don’t believe in the ideas it takes to get their votes.  Narrowed down to a single vote, the normal blurry understanding of what a candidate is saying becomes very clear.  And the candidates, and their staff, change directions at the drop of a hat in order to try to get this one single deciding vote.  Imagine, for instance, a man who had always been for lightening immigration laws and allowing more people to come to the US suddenly stating that if elected he will work to close our borders and tighten laws, all because one man made an offhand comment about how he lost his job to cut backs and Mexicans taking the jobs for lower pay.  These flip-flops of policy are also the source of the biggest laughs in the film, as they unveil new commercials to try to show this one voter that they are the right man for the job.

But, to counterpoint the humor of the worst in politics, the movie also includes a heavy dose of people wanting to be better people.  From the candidates, to the reporters, to the voter himself, at times every person is faced with realizing they may have gotten caught up in something and they have to decide if they want to just keep going with the flow or if they want to stand against the current.

As for the casting of the movie… Kevin Costner always plays a down on his luck everyman pretty well and so does just fine as Bud Johnson, and Kelsey Grammer and Dennis Hopper make damn fine Presidential candidates, while Nathan Lane and Stanley Tucci pull off excellent campaign managers.  Madeline Carroll is also excellent as Bud’s daughter, the true heart and soul of the film.  Heck, even Judge Reinhold does well as one of the Bud’s best friends.

Overall, Swing Vote is a good film.  It isn’t perfect, but it does manage to get its message (that every vote counts) across enjoyably, and without too much flag waving and “America is the greatest nation on Earth” rhetoric.

Summer Knight

As is evidences by my reviews of the three previous books, I like the Dresden Files series by Jim Butcher.  So it should be no surprise that I enjoyed book number four, Summer Knight.

Although, I must admit, after reading about an angry wizard, werewolves, and vampires, an impending war between faeries just didn’t pull me in as well as the previous books.  Butcher’s concept of faeries living in the Nevernever is alien to me.  Sure, he’s touched on them before in the earlier books, but I’ve never encountered them outside of Butcher even close to the way he uses them.

Still, an enjoyable read.

The Dark Knight

13 out of 13 nots
for being everything I wanted and more

When Chris Nolan relaunched Batman with Batman Begins, I immediately knew that the right team had been put in place.  While that film has some issues, the overall impact of it was fantastic.  With Nolan behind the camera and Christian Bale in front of it, they were creating something truly magic.

On the strength of that film I was excited when I heard about The Dark Knight.  Well, until they announced that Heath Ledger was going to be the Joker.  While I liked Ledger well enough, I hadn’t seen him do anything previously that lead me to believe that he could pull off the Joker.  This worry was allayed when early word started to leak out about his performance.  Then he died.

Having seen the film now, one element of the true tragedy of his death is that there will be many people who write off praise for his performance as sympathy for his having passed on.  This couldn’t be further from the truth.  All of my early fears were put to rest and now I honestly feel that no one was more meant for this role than Heath, and now I am worried about what they will do with the franchise going forward.  Heath has left some enormously large shoes to fill in regards to this role.

Outside of Heath’s performance, every other actor also pulls off some fantastic work here.  I found every character to be fully believable in the world that Nolan has crafted.  And the story is no weak link either.  I literally spent a full third of the movie with my hand to my mouth in a futile attempt to prevent my breath from being taken away.  The most important aspect that this film holds is that it is not “Batman Begins 2”.  You do not need to have seen the first to understand the second.  Rather than being a sequel, The Dark Knight stands as a whole and complete story set within the same world as Batman Begins.

After leaving the theater and walking out to car, I said to the group I was with, “If there had previously existed only nine kinds of awesome in the world, this movie would be the tenth.”  Two days later, I still feel that and I am certain I will feel that way for some time to come.

If you have not already, see this film.

13 Bullets

I had previously read a trilogy by David Wellington, and the short version of that review is the first book was fantastic, the second was lacking, and the third was better but not as good as the first.  However, despite the fact that I wasn’t thrilled with the second and third books, the first one was so good that I have been itching to pick up more of his stuff.  I finally did.

13 Bullets is a story about vampires.  In the world he crafts, vampires exist and everyone knows about them, but vampires are extremely rare so people often forget that they exist or at least deny to themselves that they are really real.  These are not your Anne Rice vampires, these are vicious monsters who thirst for blood.  In fact, the more they eat, the more they crave, so a smart vampire might be able to hide for a while, but eventually his thirst will lead to large enough slaughters that he can no longer go unnoticed.  These vampires don’t have two fangs, they have a set of jaws like a shark with rows of sharp teeth.

But specifically, the story is about Laura Caxton, a State Trooper in Pennsylvania who stumbles on to vampires and gets mixed up in the horror along with a U.S. Marshall who has been hunting vampires for twenty years.

Wellington’s writing in 13 Bullets is as strong as Monster Island.  I devoured the book, and am hoping that the sequel, 99 Coffins, doesn’t fall like Monster Nation did.  Definitely, though, 13 Bullets is a damn fine read, especially if you like horror.

Meet Dave

8 out of 13 nots.
for being better than I expected it to be

Eddie Murphy was once a foul mouthed comedian.  He used to make rated R movies.  But a few years back he stumbled into a gold mine of family oriented Disney films.  Meet Dave is another one.

Honestly, I went into this movie expecting it to be a pile of crap, or at least another bland family film that I knew would make money but wouldn’t interest me at all.  Instead, I was pleasantly surprised.  Meet Dave was funny, genuinely funny.  Sort of a mix between Galaxy Quest and Starman, it is about aliens who travel to Earth in a giant space ship that looks like a human.  This is because they are about an inch tall, so the human shaped ship also doubles as an android allowing them to move through the population unnoticed.  They have come because they are planning to suck the oceans dry and take all the salt in order to save their own world.  Of course, on the way to destroying our planet, they learn that maybe we aren’t so bad and might just be worth saving.

Anyway, I enjoyed it… I don’t think I would ever pay $10 to see it in the theater, but I would absolutely throw it in the rental queue on Netflix.