I Hate You

No, really, I do. If you are one of those stubborn people who haven’t been watching Jericho or Veronica Mars, I hate you.

Veronica Mars, currently finishing up its third season, is probably one of the best shows on television. While other shows that ran season long plots often wound up with entirely unwatchable episodes that could never be watched alone, Veronica Mars managed to have every episode contain its own plot while still throwing clues and furthering the main season plot. It was smart and funny. And it has been cancelled because of people like you.

Jericho is in the same boat. When I first read the plot of the show, I was skeptical, but after watching it, they really managed to pull off the “Terrorists nuke a bunch of cities and throws the US into chaos” world brilliantly. Like Veronica Mars, every episode was tight and contained its own mini story, a plot resolved in one episode, while also serving the greater overall plot. It too has been cancelled.

Of course, I cannot lay all the blame at your feet. This season, the networks, and I mean all the networks, really screwed up by putting so many shows on a multitude of hiatuses. Seasons broken in half or in thirds, shows constantly bumped in hopes of getting higher ratings from specials and game shows. The one thing they don’t seem to understand is, the main reason a high rated show stays high rated is the ability of the audience to find and watch the show. Jericho did great until the hiatus… it never recovered. Even powerhouse Lost slumped in the ratings after a promising start. Standoff might have done better if they’d ever actually put it back on the air. It ran 11 episodes up until December 12th when it got put on hiatus to return on March 30th… wait, April 6th… now, June 8th where it will be on Friday instead of its original Tuesday slot for its remaining 8 episodes (maybe). Fans like me just wanted to watch the show, but I can’t watch it if they don’t air it.

As it is, many shows don’t even get that far. Runaway, Kidnapped, Vanished, Studio 60, The Black Donnellys, Drive, Day Break, Happy Hour, Justice, The Nine, Six Degrees, The Wedding Bells, Smith, Raines… Lots of these shows didn’t even start with full order seasons, or even half orders. Networks are often hedging their bets by ordering 6 or 7 episodes, and as a viewer if I know that a show may only run 6 or 7 episodes I am going to be less likely to tune in. Its seems that gone are the days of building an audience, if a show doesn’t come out of the gates booming with success its not likely to stick around, and with prospects like that is it really any surprise that the viewers aren’t showing up?

TV has one more season, if this fall is a repeat of last fall with all the show cancellations after one or two airings, they are going to lose me as a customer. They might get my business on the back end when a show goes to DVD, but they’ll never get my ad revenue dollars.

I honestly think the business model has to change. At a minimum, Sweeps Weeks need to go away. Networks should be rated for their advertising based on viewership average for the entire year. Maybe that alone would go a long way to ensuring that they took care of their shows all year long instead of just a couple a months scattered throughout. After considering it a while, I’d be willing to pay as much as $1 an episode downloaded to my TV without commercials through and On Demand like system, even on my Xbox360 if it had to be. Maybe networks should consider going that route, dump this 24/7 programming model that is full of trash anyway and focus on making a handful of solid engaging hours per day.

Whatever they do, mostly they need to recognize, you can’t have loyal viewers if you are not loyal to your viewers. Someone has to start, and since it would be stupid to ask viewers to watch things that don’t interest them, the networks have to start by letting shows that don’t launch fantastically stick around to see if the viewers can find it.

28 Weeks Later

Just got back from seeing 28 Weeks Later, the sequel to 28 Days Later.

It was excellent. Similar to 28 Days Later, in 28 Weeks, the infected and the infection provide the setting, but the overall story is more about the people than it is the monsters. While this isn’t really a zombie movie, it follows along with alot of the same stylistic elements.

In 28 Days, you saw Jim wake up 28 days after a plague of “rage” has engulfed England. He quickly has a few close calls and hooks up with another person, and then two more, and they eventually head to a place that promises a cure. And here is where the “real story” of 28 Days began. Some soldiers were holed up at a mansion and in a moderately twisted way were planning to survive and repopulate the world.

28 Weeks involves none of the characters from the original. Here, we are introduced to a few survivors at the height of the plague, then transported 28 weeks forward to where US troops have reoccupied parts of London, the infected have supposedly starved to death, and reconstruction efforts are beginning. British travelers from abroad are being allowed to return, and in the current batch are two kids, children of a man who managed to survive on the ground in England. Like the original, the movie takes a little turn and takes the focus away from the infection and shows you the world… people living in the safe zone, the guards who protect it. The kids decide to jump the fence and retrieve some possessions from their old house, and as you can guess this is where the trouble begins.

If you were to say that 28 Days Later was like the movie Alien, then 28 Weeks Later is Aliens. It was exciting and scary, like the original, but with more muscle and firepower. If you liked 28 Days Later, 28 Weeks Later should be right up your alley. I definitely recommend it.

Aspect of the The Walking Dead

I’ve written about The Walking Dead before, and in my continued efforts to talk about my game idea without rehashing the same stuff over and over, I will write about them again.

There are six collections now instead of four as when I wrote before, and the story remains good. There are elements in here that just make sense to me, and are in line with the story of the world I would present in my game. If you haven’t read all the comics, I’m about to ruin one thing for you, so skip the rest unless you want the spoiler… its not that huge of a spoiler, so don’t get too bent…

In the comic, one of the things revealed that I really liked is the idea that everyone is doomed. See, The Walking Dead doesn’t refer to just the zombies. After an incident where someone who died through other means, never having been bitten by a zombie, comes back as a zombie, its apparent that whatever causes the zombies is already in everyone, just dormant. They are all going to become zombies, no matter how they die, unless their death involves the destruction of their own bodies such that they can’t rise.

This aspect will be integral to my game. I talked earlier about how players will have to manage food and resources, and how those will deplete even when offline. When you die, you are dead. There is no resurrecting or respawning, if you want to play more you have to start a new character. Then, if you want, you can travel to your old character’s hide out and kill the zombie-old-you if someone hasn’t done it already. When you die, you are undead. Your body will rise as an NPC, and if there are people unfortunate enough to be living with you, if they aren’t careful, they may be undone from within.

Woes of a DVR Owner

Not mine… I have no woes. My 6 Tuner Medusa PVR using Snapstream’s BeyondTV works wonderfully. But a guy I know has issues.

Its a problem I see many people with DVRs complain about, that oddly scheduled programs or late changes often get missed because the show listings on the DVR don’t get updated. That’s one thing I love about my Medusa. BeyondTV, however they manage to do it, is always up to date (as long as my internet access hasn’t failed). I’ve never missed a show because it ran a few minutes long, or even when the President decides he wants to assure the nation that he is not an idiot (or confirm to the nation that he is an idiot, you can never be sure which he is going to do).

The only time I’ve ever missed a recording was when the power went out while I was on vacation. Usually, power outages come in twos or threes. Power off, power on for a few seconds, power off… then it either comes back on again or stays out for a while, but its that little flicker that causes the problems. Sometimes its just the once like I describe here, sometimes its two or three flickers before its out for real. I set up my Medusa, all my PCs in fact, not to reboot on power failure because I don’t want them powering on and off repeatedly during the flickers.

Oh, and I missed a show once when a channel broke in with breaking news. Of course, I didn’t see the breaking news until three days after it had happened, so all it did was annoy me.

But back to the DVRs… I don’t think I would put up with that, it being wrong all the time, as it kind of defeats the purpose of it. Is it a failing of the software? of the service provided? Is it the DVR or the cable company? I’m going to have to look into it, because unless they roll out the CableCARD 2.0 standard and start supporting it, I’ll have to get an in-box DVR to be able to record digital cable channels. But there’s no rush, not until they decide to stop providing the analog cable feed.

Dead Rising

This week’s Zombie Wednesday is going to stray, just a little, from my thoughts on the Zombie MMO I would design, and take a look at one of the best Zombie games I’ve seen in a long while: Dead Rising. Taking a look at this game shows alot of the play style elements that I want in my own game, minus the shady organization giving you missions. If it can be picked up, it is a weapon or it is food.

One of the things that I love most about it is the variety of zombies. Some almost run toward you, some shamble, some barely even notice you at all until you get right on top of them, some grab at you slow, some lunge quick once you are in range, and more, and any combination of those. It shows that much can be done without breaking the traditional zombie standards.

Personally, this is the first time I’ve encountered the “Save progress but Start over” type of game. As you level and learn new tricks, you can save your game and keep going, and if you die you have the option of loading that save and losing everything you’ve done since then, or saving your character progress and starting back at the beginning. This method results in some odd happenings sometimes. My brother, for example, was playing and got to a point where the main character is kidnapped and all his possessions, including clothes, are taken. The result: when he started the game from the beginning, all the opening cut scenes featured our hero wearing only his boxer shorts.

All in all, the game is great. The only thing it lacks is multi-player, but rumors abound that it might be coming in the Platinum Edition of the game or as downloadable content. If you love zombies, the game is worth it, even at twice the price.

The Departed

I’m late, I know. But I finally got around to seeing this movie. It is good.

The story is about two guys both from “the neighborhood” in Boston. Both of them have just graduated the police academy. One has been practically raised by the local organized crime leader, and he’s joined the police in an attempt to get a man on the inside. The other is a kid who’s father was an honest man, and he’s been trying to get out of the neighborhood all his life, but he’s been recruited to go undercover into the local organized crime and be their man on the inside.

The narrative flips back and forth in the lives of these two men over the course of more than a year as one works his way into the ranks of the police and the other works his way into the ranks of the criminals. In a “Six Degrees” sort of way, they are very close without ever really meeting.

Scorsese put together a top notch cast to tell the tale, and every actor does their job well. It deserved the awards that it won.

The end left me feeling… well.. its hard to say without spoiling it. I’ll just leave it at that it was satisfying on some levels but unsatisfying on others. It is definitely worth the time to watch.

Wii`ve made a full 360

So, yesterday morning, after breakfast at IHOP, before getting gas for the car, the wife and I swung through Target to see what was what.

The new Xbox 360 Elite was due out, and they happened to have one. Just one. They also had eight Nintendo Wii’s (left from the 20 they’d had just an hour before). In full financial abandon, we bought both.

This should be fun…

Amazon vs Lord of the Rings Online

At the last possible moment… okay, not the last moment, but close… Saturday, I decided the wife and I would play Lord of the Rings Online: Shadows of Angmar. So, I threw a copy into the Amazon shopping cart, changed the quantity to two and placed my order. The reason I started by saying it was a close call was that the game released on Tuesday, and you had to order it before then as a pre-order to get the super cool Founder’s bonus stuff, most importantly the $9.99 a month rate. Since the normal rate would be $14.99, $5 a month times 2 is $120 a year savings.

If we end up playing for two years, I might kick myself for not taking the Lifetime subscription, but then again, if I paid $200 and then canceled after six month I’d kick myself. Damned if you do…

Back to my point though… we ordered our two copies of the game and then I went to the digital download section to claim our pre-order key… wait. Key? Singular? Shouldn’t I have two keys?

Why yes, yes I should.

So I call Amazon Customer Service… or rather, I go to the web page, enter my phone number and click the button to have their help desk (helpfully located in India) call me. The woman is nice enough, at least the broken formal English she is reading from her CS manual is nice enough. After many unsuccessful attempts to explain how the pre-order, account registration and all that is supposed to work, and trying to point out that I ordered two copies of the game but only got one key… to give a quick example, it went sorta like this:

Me: “I ordered two copies of the game, only got one pre-order key.”
Her: “Order shows one item.”
Me: “With a quantity of two.”
Her: “Not two, just one item on order.”
Me: “There is one item, with a quantity of two.”
Her: “Sir, your order has only one item. Digital downloads are given one per item.”
Me: “The item cost $50, my invoice is for $100 because I bought two.”
Her: “But there is only one line item.”
Me: “With a quantity of two.”

Finally, she grasps the concept… one item, quantity of two… and determines that she is not capable of resolving my issue. She says that I should have ordered the items at separate lines, then forwards my problem to another department, says they will email me the resolution, and hangs up.

Now, there are many things I am not, but one thing I am is a Web Programmer. You would think, if Amazon has an issue with providing digital content on multiple quantity single line items someone over there might be able to trap a flag and issue a warning to the user, or even not allow multiple quantities for items with digital content. A nice little pop up that says, “This item includes a digital download and product key, please add multiples to the cart separately.”

In any event, we are now waiting to hear from Amazon. They owe us a pre-order key, or they owe us $5 a month. Let’s see how long this takes to resolve…

Update: As bad as the first call was, my follow up 48 hours later was good. The woman was pleasant, contacted the department needed, got us all on the phone, got the issue reviewed and resolved, and she apologized for it taking a second call to get the work done. Apparently the first woman hadn’t actually forwarded my issue to the other department. All is good now.